By Alan Shelley
Using as a rule migrant employees and township dwellers, and staging guerrilla-raid productions in black parts, Fugard usually got here into clash with the govt., forcing him to take his paintings out of the country. therefore, robust performs comparable to The Blood Knot, Sizwe Banzi is lifeless, and grasp Harold... and the lads got here to broadcast the inequities of the Apartheid-era to the realm. Fugard’s paintings keeps an insistent effect, and is studied and played the realm over.
Alan Shelley’s learn is an available yet profound research of the guy, his paintings and its impression, the social injustices that force him, and the lives of these who humans his awesome plays.
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Athol Fugard: His Plays, People and Politics by Alan Shelley